Oresteia by Aeschylus
National Theatre of Greece
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Oresteia by Aeschylus


Oresteia by Aeschylus | Melina Mercouri Open Air Theatre (Vrachon Theatre, Vyronas - Athens) | Summer Tour
An innovative concept from the National Theatre of Greece: the only extant example of an ancient dramatic trilogy, Aeschylus’ Oresteia, in a single production by three directors staging their work for the first time at the Ancient Theatre of Epidaurus. Agamemnon directed by Io Voulgaraki, The Libation Bearers directed by Lilly Meleme, and The Eumenides directed by Georgia Mavragani.

Agamemnon, the first part of the timeless masterpiece that is Aeschylus’ Oresteia, is the starting point for a multi-layered theatrical experience. With the myth of the Trojan War at its core, it was an immediate success when it was written (in the Athens of the 5th century BCE) and has remained so in every era up to the present day. After ten years, a king returns victorious from the most terrible of wars, only for his wife to murder him in his own home. This is a poetic universe in which man is an unsolved enigma and human actions do not take place under godless skies, where there is slippage between the roles of victim and persecutor. This slippage is observed by a ruling class that is silent until it loses its power and ultimately its very existence. Who has the right to commit a crime and where does this right derive from?

Libation Bearers
The action of the second part of The Oresteia takes place ten years after the end of Agamemnon. This is the bloody, beating heart of the trilogy. The ground has already been prepared for the arrival of Orestes, the young avenger who must follow the ancient law of duty and take blood for blood. The dead father seeks vengeance and his presence in the play is just as powerful as it is in Agamemnon, although in a different way. The landscape in The Libation Bearers is bleak and threatening. The illicit lovers who, with blood-stained hands, seized power from the legitimate king, now preside over a regime of brutality, terror and fearful silence, as the country is plunged into darkness and chaos.

The old world has reached a tragic impasse and is morally, socially and politically bankrupt. The appalling act that Orestes is to commit is required by the gods and the very universe. Violence begets violence and the Furies demand blood vengeance for Agamemnon’s death. The bright light of the new justice that will reconcile the old world with the new is still a long way off, and the road that must be travelled to reach it involves great suffering. But there is no other choice. The repetition of horrific violence becomes a ceremony of purification for an entire society that will reconcile the old world with the new one that is dawning is still a long way off, and the road that must be traversed before it can be reached is extremely painful. There is no other choice. The repetition of the horrific violence becomes a ceremony of purification of an entire society that will travel from darkness to light.

Orestes is at Delphi, having been pursued there by the Furies. He prays at the sanctuary of Apollo, seeking the god’s protection, and is told to go to Athens, where he begs at the feet of the statue of Athena. The enraged Furies follow him, spurred on by the ghost of Clytemnestra. His fate will be decided at the highest court of Athens, the Areopagus, where he and the Chorus of Furies argue their cases. The result is a hung jury, and Athena, who has the casting vote, finds Orestes innocent. He praises Athens and announces that the city and his homeland shall henceforth be bound together in an unbreakable alliance. Athena honours the Furies and declares them the kindly ones, or “Eumenides”.

The trilogy ends with the restoration of balance amidst an atmosphere of reconciliation, bringing an end to a tragic conflict which human beings were unable to resolve. It is significant that the trilogy was written shortly after 462 BCE, when the system of government changed and one of the reforms was that cases of murder were now tried at the Areopagus.

20 September, 2019 to 21 September, 2019

trilogy creation team

K.C. Myris
Paris Mexis
Set designer
Lefteris Pavlopoulos
LIghting designer

creation team of Agamemnon

Io Voulgaraki
Theodore Abazis
Paris Mexis
Maria Smajevic
Melina Peonidou
Music Coach
Efi Christodoulopoulou
Directing assistant
Irini Klepkou
Movement assistnat
Eri Kyrgia

cast of Agamemnon

Dimitris Georgiadis
Stelios Iakovidis
Despina Kourti
Alexandros Logothetis
Argyris Xafis
Evi Saoulidou

chorus of Agamemnon

Thanasis Vlavianos
Paris Thomopoulos
Ieronymos Kaletsanos
Nikos Kardonis
Kostas Koronaios
David Malteze
Giannis Dalianis
Themis Panou
Stratis Panourios

creation team of Libation Bearers

Lillly Meleme
Vassiliki Syrma
Stavros Gasparatos
Monika Elena Kolokotroni
Choreography - movement design
Melina Peonidou
Music coach
Magda Korpi
Directing assistant
Maritina Astra
Second directing assistant
Loukiani Papadaki
Choreography assistant
Eirini Georgakila
Costume designer assistant
Eva Saraga

cast of Libation Bearers

Vasilis Karaboulas
Maria Kitsou
Filareti Komninou
Giannis Niarros
Agoritsa Ikonomou
Giorgos Stamos
Giorgos Chrysostomou

chorus of Libation Bearers

Natasa Exidaveloni
Sofia Koulera
Nefeli Maistrali
Mary Mina
Νancy Boukli
Areti Tili
Iovi Frangatou
Christina Christodoulou

creation team of Eumenides

Georgia Mavragani
Dimosthenis Papamarkos
Dramaturgical adviser
Artemis Flessa
Alexia Nikolaou
Haris Neilas
Rania Kelaiditi
Directing assistant
Lily Kyrili
Directing and set design assistant
Vivi Spathoula

cast of Eumenides

Nazik Aidinian
Michalis Valasoglou
Stella Vogiatzaki
Katerina Karadima
Evangelia Karakatsani
Emmanouela Magoni
Nikos Manesis
Panagiotis Panagopoulos
Angeliiki Papathemeli
Mariam Rukhadze
Georgina Tatsi

Summer Tour | Tickets:
15€ General Admission
12€ (students, over 65 years old, unemployed, Disabled & Groups)

Two Day Admission Ticket – Discount
25€ General Admission
22€ (students, over 65 years old, unemployed, Disabled & Groups)

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